|Vacation from Marriage (1945)
Run time: Approved | 95 min | Drama, Romance
Director: Alexander Korda
Writers: Clemence Dane, Anthony Pelissier
Stars: Robert Donat, Deborah Kerr, Glynis Johns
When the Wilsons (Donat and Kerr)–possibly the dullest couple in England–bid each other a tepid farewell when WWII intervenes, and go off separately to the service of their country, personalities are completely overhauled. Excitement reigns!
"Perfect Strangers" was made in war-scarred Britain in 1945 and it has that unmistakable flavour and appeal of the small, b&w 1940’s English pictures of the time–trustworthy, tender without being sentimental, sweet, reticent, and positive. The epitome of the wartime film designed to boost people’s morale.
Like many pre-50’s films that catch my interest, it has the charming buoyancy of that other, (and now otherworldly) WWII era–before Twentieth Century attitudes had crystallized into their currently cold, disaffected, and jaundiced condition that forms our modern outlook. Films like "Perfect Strangers" (also known as "Vacation from Marriage") are the perfect antidote–tiny time capsules of hopefulness, naivete, and innocence that, certainly in the art of the cinema, can’t be achieved anymore, no matter what the budget.
Robert Donat and Deborah Kerr are well cast and their performances seem effortlessly on-the-mark in this film. The two play a shy, humdrum, and rather ineffectual couple living in London during the Blitz. Kerr is a glum housewife to the staid, stodgy Donat, who works meekly in London as a bank teller.
Even though around them all is chaos in the city, they are frozen, as it were, in their daily routines: work, eat, sleep. These are two people to whom nothing much ever happens. Their marriage is in a rut but they dont know it. They are vaguely dissatisfied with themselves, but they dont know why. Each is right on the edge of being bored with the another. Certainly they are both bored with their lives.
(This is one of those couples of a type that one still encounters today–a pair of simple, unimaginative souls that, in the first flush of romance, dont envision needing anything more out of life than being married to each other).
But their dull routines are suddenly shaken up by wartime events–both are unexpectedly called to active service. This turn of events falls like a bolt of lightning on the couple. Donat reluctantly enters the Navy as an able seaman, and Kerr becomes a WREN. The story picks up pace from this point on. The two agree to keep in touch and meet whenever they are on leave.
However, both soon have their hands full trying to adjust to the rigors of service life: not just the hazards of wartime but more importantly, the trials of intense, abrupt socialization with their new comrades.
Each undergoes a separate transformation of character: they make friends, win esteem from their peers, prove themselves to be fit and able in all of their duties and even distinguish themselves in the war effort. In short, they thrive in their unexpected "vacation" and in the process, discover all sorts of things about themselves that they never would have guessed previously.
When it comes time for the couple to meet up again, each dreads having the old marriage relations reestablished. Each assumes the other has not changed or developed in any way. (Both Donat and Kerr are even getting tempting offers and romantic attentions from others at this point).
When they meet, in one of the sweetest moments in the film, they fail to even recognize each other. Its how the two get back together which comprises the rest of the storyline of the film.
Its a little treasure of a film: well-made, un-selfconscious, unassuming, and hits its mark perfectly. If you like a simple, honest story about people and people in love, give it a try.
There are certain stories that are so original and intrinsically entertaining that they get reinvented every 20 or 30 years. Case in point, "The shop around the corner", which became "In the good old summertime" and finally "You’ve got mail". That’s the kind of originality that runs through this story. Premise: A young married couple about to be parted for 3 years, both to do duty in her Majesty’s Royal Navy in WWII. He’s timid and boring. She’s mousy and sickly. He becomes bold and manly. She blossoms into an attractive and assertive woman. Both now dread having to meet each other again after several years separation, remembering only how each partner use to be like. What happens when they meet again is pure fun. Why are there no remakes of this terrific story? We’ve had plenty of new wars to use as a background. People still change, sometimes for the better, during long separations. I have a VHS copy of this story taped from TV years ago. I only wish they would sell this movie again, while we wait for the updated script someone should write.
This is an excellent movie about spouses rediscovering each other. Robert Donat and Deborah Kerr are perfect as a mousy and dull couple who are transformed by the challenges of war and a separation from each other. It’s rare to find a movie that focuses on a married couple in this way. This is a film for romantics and, since I am one, I recommend it strongly.
What a screenplay this movie has! It’s wonderful! It’s a simple story but it’s executed wonderfully! You truly feel for the main characters. Deborah Kerr has never been a favorite of mine but she is wonderful in this film. Robert Donat, as usual, is brilliant! I highly recommend this to fans of classic romances. It is sweet, humorous in parts, and REAL! I wish Donat had done more films when he was around, but I shouldn’t complain. I’m just glad he was smart enough to always take good roles in quality films. Kerr and Donat sparkle in this and Glynis Johns is so perky! Like a little cheerleader! This is great fun! I’ll stop rambling now, if this is ever shown on TCM, you must watch it!